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Paul Anselmini is a former mobster and businessman. A romantic character, a barbouze with no morals, no scruples, no values other than himself. Alone, yes, but free and once powerful. But this freedom is precisely what Commissaire Perdrix and Lieutenant Webb have come to take, two cops lost in a country and a time that are not their own.

When Pierre learns that his parents are not his parents, he wants to find out who he is and where he comes from. Raised in nature, Pierre has never been confronted with society. He does not know the codes. He will team up with Anna who will help him in his quest and cross a whole gallery of characters as funny as tender. But during his investigation, Pierre will lose his colors – like a photo that fades.

A beautiful socialite enters the lives of three bickering musicians and inspires them to write a series of hit love-songs.

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

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Ginette is at phone with the famous Rachah Rangers, who hosts a daily radio program. She talks about her break with Richard, her various relationship problems, her desires, fears and reproaches. Her friend, Simone Barbes, advised her to live, urgently, a new relationship ...

The daily life of two neighboring families, the Bouley and the Lepic, with literally opposite educational methods. Despite their social and cultural differences, they are friends and do not hesitate to face worries...